Why not?
by Romina Ciulli e Carole Dazzi
The power of Nature to self-generate and dominate the human action, represents one of the main subjects dealt by Francesca Romana Pinzari in her artistic path. The artist uses a varied series of media including painting, sculpture, performance, video and installations in order to examine concepts such as the individual and collective memory, and reveal intimate and, to a certain extent, ancestral stories.
written by Valentina Biondini, literature expert
This time “Who’s next?” is dedicated to one of the most eclectic female talents of the Italian twentieth century, wrongly underestimated. We refer to Anna Banti, nom de plume of the versatile Lucia Lopresti, art historian, literary, theater and film critic, translator and, above all, Italian writer of the last century. And it is precisely this overlapping of artistic contexts, together with feminine and autobiographical themes, that will make her modus scrivendi original and unique for the literary landscape of the time. Read more
by Romina Ciulli e Carole Dazzi
The value of the photographic image reviewed through the abstract language of collage. The works of the British artist Hannah Hughes consist of assembled and deconstructed parts with the aim to examine in depth the meaning of a modern visual culture that seems more than ever fragmented and artificial. Using materials extracted from books, newspapers, advertising images and even catalogues of auctions, Hughes’s work actually tries to recreate new specular shapes of just as many reproduced images, but that they similarly find a concrete position in the physical world. Read more
Written by Valentina Biondini, literature amateur
Our column “Who’s Next?” turns the attention to a woman whose artistic style had the power to change contemporary art forever. We are talking about Eva Hesse, an American sculptor of Jewish origin who, during her short career, reinvented and revolutionized the language of sculpture, making use of a chaotic aesthetic process, bordering on the eccentric, in which emerge intensely the notions of physicality and sensitivity.
by Romina Ciulli and Carole Dazzi
With her sculptural works integrated in natural environments, Ayşegül Altunok creates immersive and unexpected sensations. Let’s talk about it with the artist.
Your work is structured through a series of sculptures/installations whithin natural spaces where they seem to represent in a certain way projections of the human existence, and at the same time they have the tendency to pass the limit of this very same experience. Can you tell us how these projects are conceived and how your creative process is developed? Read more