Who’s next?… Mario Reviglione

thefemalecurators

by Valentina Biondini, art and literature amateur

Intermezzo elegiaco

Mario Reviglione was a painter, and printmaker, close to Symbolism, a forerunner of the Art Deco style, akin to the movement of Magic Realism, and proudly countering the dominant style of the early 20th century. His two favorite subjects were landscape and portrait. In painting nature he drew more heavily on Belgian and French Symbolist tendencies, evident in his views of lakes at the evocative hours of dawn and dusk, while in his portraits he stands out for his utter originality.

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Mira Maodus/The creative power of colour

thefemalecurators

by Romina Ciulli e Carole Dazzi

Les petits plaisirs

The works of French artist Mira Maodus of Serbian-Russian origin are characterized by complex interactions between shapes and colors, overlapping signs and numbers, giving rise to truly visual narratives with dreamlike and vibrant atmospheres. Her research, in fact, focuses on the very essence of the artistic approach, aiming to free the constraints of the sign in a free and universal creative context. Her professional career, which has evolved from figurative to abstract, includes a fifty-year stint at Atelier 11 in Paris where, through various stories and testimonies, she was influenced by the legacy of artists like Amadeo Modigliani, Chaim Soutine and Constantin Brancusi. Her works have been exhibited in galleries and exhibitions in countries such as Italy, France, Great Britain, the United States, China, Russia, Canada, and more. Let’s talk with the artist. Read more →

Ivan Arlaud/The poetic vision of everyday life

thefemalecurators

by Romina Ciulli and Carole Dazzi

La Desserte, 2026

The paintings created by the artist Ivan Arlaud are set in those interiors where moments of everyday life take place, made up of simple details and familiar objects, and are characterized by a palette of vivid colors and contrasting shades, which immerse the viewer in warm and luminous atmospheres. And, although there is no trace of human presence, the images emanate a sense of serenity, telling us evocative stories which have just begun, and all yet to be invented. This is the case in Le maison de vancances (2026), La véranda (2025), Étude Table Composée (2024), L’appartment rue Girardon (2023), Nature Morte aux Citrons (2023), Nice (2022), and Choix de Poems (2022). Let’s talk about it with the artist. Read more →

Annalisa Parisii/Art on the verge: a poetic transformation through AI

thefemalecurators

by Carole Dazzi e Romina Ciulli

Il dramma, Psiche series, 2024

The artistic project of Annalisa Parisii is a captivating journey between the new creative possibilities offered by generative art and the certainties of traditional painting. Drawing on the atmospheres of Metaphysical Art and Magical Realism, the space of representation is a familiar, evolving place, suspended and silent. A space where the viewer is invited to reflect deeply on his own existence and the certainties of everyday life, encouraged to imagine new stories and magical dimensions. Read more →