Why not?
Written by Valentina Biondini, literature expert
Since it is not only female artists who are forgotten, “Who’s Next?” decided to write about a young male artist, whose modern approach to painting can be defined ante litteram, and his personal story has fueled the myth of the mad painter. This is Gino Rossi, a figure unjustly ignored by the artistic world in toto, but even by the young generations of painters who instead owe him so much. Read more
by Romina Ciulli e Carole Dazzi
The power of Nature to self-generate and dominate the human action, represents one of the main subjects dealt by Francesca Romana Pinzari in her artistic path. The artist uses a varied series of media including painting, sculpture, performance, video and installations in order to examine concepts such as the individual and collective memory, and reveal intimate and, to a certain extent, ancestral stories.
written by Valentina Biondini, literature expert
This time “Who’s next?” is dedicated to one of the most eclectic female talents of the Italian twentieth century, wrongly underestimated. We refer to Anna Banti, nom de plume of the versatile Lucia Lopresti, art historian, literary, theater and film critic, translator and, above all, Italian writer of the last century. And it is precisely this overlapping of artistic contexts, together with feminine and autobiographical themes, that will make her modus scrivendi original and unique for the literary landscape of the time. Read more
by Romina Ciulli e Carole Dazzi
Can photography have such a figurative ability to tell the temporality of existence? Greg Sand, an American artist/photographer who uses found photographs with the aim to explore concepts like memory, absence, loss and death, seems to feel the need to answer to this question. In fact, in his works these themes emerge through a manipulation of images that gives back an almost surreal connection between the existing figure depicted in the photo and the consequent inescapable vacuum to which it is destined. Read more
by Romina Ciulli e Carole Dazzi
The value of the photographic image reviewed through the abstract language of collage. The works of the British artist Hannah Hughes consist of assembled and deconstructed parts with the aim to examine in depth the meaning of a modern visual culture that seems more than ever fragmented and artificial. Using materials extracted from books, newspapers, advertising images and even catalogues of auctions, Hughes’s work actually tries to recreate new specular shapes of just as many reproduced images, but that they similarly find a concrete position in the physical world. Read more