female artists

Open dialogues: Giada Degortes

thefemalecurators

by Margaret Sgarra, contemporary art curator

Let’s interview Giada Degortes, a young Sardinian photographer and director, who through her artistic imagination manages to blend real, powerful and collective stories with her own inner and personal experience.

What does photography mean to you, and what do you want to communicate with your works?

For me, photography is a powerful means of expression. We know well that our subconscious operates primarily through images, clearly memorizing shapes and colors even after a long time. These images are the invaluable pieces that compose our imagination, fueling our fantasy and influencing our choices. This is why visual communication is so powerful.

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Who’s next?… Vera Pagava

thefemalecurators

by Valentina Biondini, art and literature amateur

The Great Suburb, 1953

Vera Pagava (1907-1988) was the first Georgian female artist to gain recognition in the European art world. She was a well-rounded artist, devoted herself to drawing, decoration, and especially painting over the course of a fifty years career. She emigrated to Europe with her family in the 1920s, shortly before Georgia’s annexation by the Soviet Union. First, she settled in Germany and then in Paris, where she remained for the rest of her life, while maintaining strong ties to her homeland. Read more →

Who’s next?… Nori de’ Nobili

thefemalecurators

by Valentina Biondini, art and literature amateur

Nori de’ Nobili, self-portrait

Nori (Eleonora) de’ Nobili is a painter and poet originatig of Marche, who spent half of her life in a mental hospital. Nori, the eldest of four children, was born in Pesaro in 1902 in a very wealthy family with whom she used to spend her childhood summers at the beautiful house known as “Villa Centofinestre” in Ripe, a small town in the province of Ancona. Read more →

Open dialogues: Roberta Bertazzini

thefemalecurators

by Margaret Sgarra, contemporary art curator

Libero arbitrio

Roberta Bertazzini, is a visual artist with a predilection for installation-based works, she creates multi-material pieces which articulate in space and lend themselves to multiple interpretations. Fundamental is the relationship between structure and concept, expression and form. Aspects that, in most cases, dialogue with the user. So that, the viewer acquires a prominent role within the creative process, while remaining anonymous. Read more →

Elisa Zadi/The pictorial act as a search for truth and beauty

thefemalecurators

by Romina Ciulli and Carole Dazzi

Bruciare illusioni, PicNic (2023)

The portrait, and the self-portrait, are the forms with which the artist Elisa Zadi investigates the bond between man and nature. A research that ranges from painting to installation, from performance to poetry, and that through an intimate and introspective path focuses on issues related to femininity, identity, and knowledge. In her works the human figure stands out in all its frank and refined frontality, giving life to a narrative that is not only pictorial, but above all anthropological and existential. Thus emerges a spontaneous and suggestive creative act, often represented through the fragmented idea of polyptychs, where the images seem to make use of a symbolic connotation to reflect on the complexity and fleetingness of everyday reality and human relationships. Read more →