Who’s next?… Alberto Martini

by Valentina Biondini, art and literature amateur

Vanitas with self-portrait, 1920

Alberto Martini was an Italian artist with many talents who strongly influenced the imagination of his own and the following era. Today his fame is almost exclusively relegated to the lovers of fantastic art, but actually Martini was also a symbolist painter, a precursor of Surrealism, as well as an illustrator of literary texts with a precise and refined line. It is no coincidence that in London, on the occasion of his exhibition in 1914, he was nicknamed “Italian pen-and-ink genius”. As an illustrator, he created images combined with texts by Dante Alighieri and Luigi Pulci, but also by Edgar Allan Poe and William Shakespeare, the poems of Paul Verlaine and the work “Poemetti in prosa” by Mallarmé. Read more

Who’s next?… Nori de’ Nobili

by Valentina Biondini, art and literature amateur

Nori de’ Nobili, self-portrait

Nori (Eleonora) de’ Nobili is a painter and poet originatig of Marche, who spent half of her life in a mental hospital. Nori, the eldest of four children, was born in Pesaro in 1902 in a very wealthy family with whom she used to spend her childhood summers at the beautiful house known as “Villa Centofinestre” in Ripe, a small town in the province of Ancona. Read more

Who’s next?… Franz Sedlaceck

by Valentina Biondini, art and literature amateur

La biblioteca, 1939

What is the definition of irony for a calamity visionary as I have been defined? Dying? Or worse, disappearing mysteriously in one of the military campaigns conducted during what was, in fact, one of the bloodiest calamities in human history, the Second World War? But let’s go in order. My name is Franz Sedlacek and, rightly or wrongly, I was one of the main Austrian artists active between the two world wars.

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Open dialogues: IroPeinto

by Margaret Sgarra, contemporary art curator

Etere

IroPeinto, stage name of Veronica Larotonda, is a visual artist who works using different pictorial languages, such as painting on water, the Ebrù technique and oil connected to metals. The focus of her work is centered on form, which becomes something incomprehensible and elusive, at times elusive. Furthermore, the relationship with dreams is fundamental, as it proves to be a field of investigation in correlation with the unconscious. She currently lives and works in Milan. Read more